Is hateful 8 a good movie?
Critic Reviews for The Hateful Eight The Hateful Eight may really be sort of terrible. While it’s not his best film (it’s far too long and indulgent at times), Tarantino absorbs the audience into a scene, compelling you to look at each and every inch of it–indicative of many vintage films (his usual film playground).
What is rating on the hateful eight?
R
The Hateful Eight/MPAA rating
The MPA rated The Hateful Eight R for strong bloody violence, a scene of violent sexual content, language and some graphic nudity.
Why is the hateful 8 called that?
On January 12, 2014, the title was announced as The Hateful Eight. The film was inspired by the 1960s Western TV series Bonanza, The Virginian and The High Chaparral.
Who is narrating the hateful eight?
Quentin Tarantino
The Hateful Eight (2015) – Quentin Tarantino as Narrator – IMDb.
Is the Hateful Eight a good movie to watch?
But still, The Hateful Eight was already a lo-o-o-o-ong movie. It moves at a slow pace to create tension and that’s great and everything, but still, it takes a long time to get going, and even then, it drags out its biggest, loudest moments to heighten the response we get as an audience.
Who are the main characters in the Hateful Eight?
There’s a furtive and rather cryptic Mexican (Demian Bichir) who calls himself Bob, a former Confederate general (Bruce Dern), a smug and effete British hangman (Tim Roth, filling what might otherwise be the Christoph Waltz part), and a smirking gunman named Joe Gage (Michael Madsen, doing the Michael Madsen thing).
Who was the original composer of the Hateful Eight?
Filming began on December 8, 2014, near Telluride, Colorado. The original score was Italian composer Ennio Morricone ‘s first for a Tarantino film, his first complete Western score in 34 years, and his first for a high-profile Hollywood production since Brian De Palma ‘s Mission to Mars in 2000.
What does Russell say at the end of Hateful Eight?
Saying, “Well, they’re all outlaws, including her, and that’s just how women were treated back then” feels like an awfully thin defense when you hear audiences whooping it up each time Russell punches Leigh in the face, and it dissipates during the final scene, which lingers on Daisy’s death with near-pornographic fascination.