What is the meaning of Doni Tondo?
round
The painting is in the form of a tondo, meaning in Italian, ’round’, a shape which is frequently associated during the Renaissance with domestic ideas. The work was most likely created during the period after Doni’s marriage in 1503 or 1504, and before the Sistine Chapel ceiling frescoes were begun in 1508.
What is the medium of Doni Tondo?
Painting
Doni Tondo/Forms
Who commissioned the Doni Tondo?
Michelangelo
Michelangelo1506 – 1508 The Doni Tondo is the most famous among the very few paintings on panel by Michelangelo, made on commission from the Florentine merchant Agnolo Doni for his wedding to Maddalena Strozzi in 1504.
When was the Doni Tondo made?
1504–1506
Doni Tondo/Created
Where is Michelangelo’s Doni Tondo located?
Uffizi Gallery
Doni Tondo/Locations
What kind of painting is the Doni Tondo?
The Doni Tondo or Doni Madonna also called The Holy Family is the only finished panel painting by the mature Michelangelo without the aid of assistants. The Doni Tondo was most likely influenced by Leonardo da Vinci, The Virgin, and Child with St.Anne. Doni Tondo’s composition features Mary.
Is the Doni Tondo still in the Uffizi?
The Doni Tondo, sometimes called The Holy Family, is the only finished panel painting by the mature Michelangelo to survive. Now in the Uffizi in Florence, Italy, and still in its original frame, the painting was probably commissioned by Agnolo Doni to commemorate his marriage to Maddalena Strozzi, the daughter of a powerful Tuscan family.
Who is in the center of the Doni Tondo?
As a depiction of the Holy Family of Christianity, the Doni Tondo has several unique characteristics. Mary appears at the center of the composition, Joseph stands behind her, and the infant Jesus is being held by both mother and father, while John the Baptist is prominent in the right middle ground.
How did Michelangelo come up with the composition for Doni Tondo?
The composition is, most likely, partially influenced by The Virgin and Child with St. Anne of Leonardo da Vinci. Like this earlier cartoon, Michelangelo’s figures seem to be compacted into very little pictorial space and a similar bilaterally symmetrical triangular composition is employed.