What disease does Shug have in the color purple?

What disease does Shug have in the color purple?

The first time the film hints at what it could have been comes as Shug, nursed back to health by Celie from her “nasty woman disease” (possibly tuberculosis), suddenly turns the spotlight of attention on the pitifully self-effacing Celie by singing “Sister,” a blues number in her honor, at Harpo’s juke joint.

How does Celie feel about Shug?

When Celie sees Shug unclothed for the first time, she confesses that she feels a sexual attraction. Shug’s improved disposition does not change the disdainful way she treats Mr.

Is Shug attracted to Celie?

Celie’s only experience with sexual pleasure is with Shug. Not only is she attracted to Shug, but she and Shug both care for each other.

How many children do Shug and Mr have?

three children
Shug is “family” to him; he and Shug have three children together. (He and Celie have none.) In fact, note that Mr.

What happens between Shug and Celie?

She says she despises sex and that during the act she typically pretends she is not even there. Shug tells Celie that, in her mind, Celie is still a virgin. Celie tells Shug that she does not care if Shug sleeps with Mr.

What do Celie and Shug draw together?

Sometimes, when she and Shug have time, they imagine the dream home they would love to build, and draw pictures of it late into the evening. Shug encourages Celie to make more pants and to start a small business selling these pants.

Do Shug Avery and Celie get together?

Her first words to Celie are “You sure is ugly.” Later, however, Shug befriends Celie, and still later, she becomes her lover. The significance of Celie and Shug’s sexual relationship is that Celie learns how to be proud of her body and how to use it to enjoy sex.

Why does Shug address Celie as Miss Celie?

Shug declares Celie a virgin and renames her Miss Celie, giving Celie a new identity in both a figurative and a literal sense. Shug’s pronouncement of Celie as a virgin and the new name Shug gives Celie are critical to Celie’s empowerment to tell her own story and to her sense of self.

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