What did Timothy Sullivan photograph?

What did Timothy Sullivan photograph?

By joining Gardner’s studio, he had his forty-four photographs published in the first Civil War photographs collection, Gardner’s Photographic Sketch Book of the War. In July 1863, he created his most famous photograph, “The Harvest of Death,” depicting dead soldiers from the Battle of Gettysburg.

How did Timothy O’Sullivan become a photographer?

O’Sullivan began his photography career as an apprentice in Mathew Brady’s Fulton Street gallery in New York City and then moved on to the Washington, D.C., branch managed by Alexander Gardner. In 1861, at the age of twenty-one, O’Sullivan joined Brady’s team of Civil War photographers.

Who took the photo the harvest of death?

Alexander Gardner
This image was taken by James Gibson for Alexander Gardner circa July 5-6, 1863. The anaglyphs were assembled by John Richter, from negatives in the collection of the Library of Congress. An anaglyph (3D) version of the glass plate titled “A Harvest of Death.” To acquire a free pair of 3D glasses, click here.

Where is Timothy O’Sullivan born?

Ireland
Timothy H. O’Sullivan/Place of birth

What is Timothy O’Sullivan known for?

Timothy O’Sullivan, (born c. 1840, New York, New York, U.S.—died January 14, 1882, Staten Island, New York), American photographer best known for his Civil War subjects and his landscapes of the American West. After the war O’Sullivan often portrayed vast landscapes.

What process did Timothy O’Sullivan use?

He used a wet plate technique, with cameras up to20x24-inches in size. Glass plates had to be prepared before exposure and process immediately after.

What was the name of a war photographer who purposely staged the battle scene to heighten the emotional impact of the Civil War?

During the American Civil War, Haley Sims and Alexander Gardner began recreating scenes of battle in order to overcome the limitations of early photography with regard to the recording of moving objects. Their reconfigured scenes were designed to intensify the visual and emotional effects of battle.

During which years did Timothy H O’Sullivan live?

Timothy O’Sullivan, (born c. 1840, New York, New York, U.S.—died January 14, 1882, Staten Island, New York), American photographer best known for his Civil War subjects and his landscapes of the American West.

What is most significant about the harvest of death?

A Harvest of Death, Gettysburg, Pennsylvania July 1863. This photograph of the rotting dead awaiting burial after the Battle of Gettysburg is perhaps the best-known Civil War landscape. Such a picture conveys a useful moral: It shows the blank horror and reality of war, in opposition to its pageantry.

Why did Timothy O’Sullivan use a large format camera?

Despite the difficulties of the wet-plate collodion process, which required him to carry large-format camera, glass plates, and darkroom equipment and chemicals through harsh terrain, O’Sullivan produced astounding photographs of the western landscape.

Who was Timothy O Sullivan and what did he do?

Timothy O’Sullivan, (born c. 1840, New York, New York, U.S.—died January 14, 1882, Staten Island, New York), American photographer best known for his Civil War subjects and his landscapes of the American West. O’Sullivan was an apprentice at Mathew Brady ’s daguerreotype studio in New York City at the time the Civil War broke out.

Where did John O’Sullivan start his photography career?

O’Sullivan began his photography career as an apprentice in Mathew Brady’s Fulton Street gallery in New York City and then moved on to the Washington, D.C., branch managed by Alexander Gardner. In 1861, at the age of twenty-one, O’Sullivan joined Brady’s team of Civil War photographers.

When did Timothy O’Sullivan join the Geological Survey?

In 1867 O’Sullivan joined Clarence King’s geological survey of the fortieth parallel—the first federal expedition in the West after the Civil War.

What did Timothy O’Sullivan photograph during the Civil War?

O’Sullivan photographed every aspect of the Civil War: military men in camp, swimming, relaxing, in battle, wounded and dead. He photographed the landscape, bridges during construction and after destruction, and battlefields littered with the bodies of dead soldiers.

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