Is there a Greek god of irony?
Momus, in Greek Mythology (scam, criticism or mockery) is the personification of sarcasm, scams and irony. She is the deity of writers and poets.
Is Kratos mentioned in Greek mythology?
In Greek mythology, Kratos (or Cratos) is the divine personification of strength. He is the son of Pallas and Styx. Kratos is first mentioned alongside his siblings in Hesiod’s Theogony.
Who is the god of Irony?
Momus
Momus was the god of satire, mockery, and poets in Greek mythology; as well as a spirit of evil-spirited blame and unfair criticism. His name meaned ‘blame’ or ‘censure’ and he was depicted as lifting a mask from his face. He was the son of the Titan goddess Nyx (night).
What is Irene’s real name?
Bae Joo-hyun
Irene/Full name
Which is the best definition of the word irony?
Irony is a literary device or event in which how things seem to be is in fact very different from how they actually are. If this seems like a loose definition, don’t worry—it is. Irony is a broad term that encompasses three different types of irony, each with their own specific definition: verbal irony , dramatic irony, and situational irony.
How does irony work as a literary device?
As a plot device, irony allows readers to re-evaluate their knowledge, expectations, and understanding. Therefore, writers can call attention to themes in their work while simultaneously catching their readers off-guard. As a literary device, irony does not only reveals unexpected events or plot twists.
Which is an example of irony in Shakespeare?
In dramatic irony, the characters are oblivious of the situation, but the audience is not. For example, in Shakespeare’s Romeo and Juliet, we know well before the characters that they are going to die. In real life circumstances, irony may be comical, bitter, or sometimes unbearably offensive.
How is irony used in situational and dramatic irony?
In situational irony, both the characters and the audience are fully unaware of the implications of the real situation. In dramatic irony, the characters are oblivious of the situation, but the audience is not.