Is King Porter Stomp Ragtime?
“King Porter Stomp” had probably been composed (if not written down and titled) by 1910, when Morton met the man for whom he named the piece (Gushee 1985:396-97). Whatever the case, the piece stands as one of Morton’s earliest compositions, conceived by a young pianist in the peak decade of ragtime.
Who arranged King Porter Stomp?
When Henderson was hired by a young Benny Goodman to arrange “King Porter Stomp” for his touring big band, a new era in jazz was born. Throughout the ’30s and into the war years, big band versions of “King Porter Stomp” came to define the new propulsive, streamlined style called swing.
Why was King Porter Stomp important?
“King Porter Stomp” is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz. It became a hit during the swing era, when it was recorded by Benny Goodman.
Where was King Porter Stomp recorded?
Recorded on July 1, 1935 by Benny Goodman and His Orchestra for Victor Records in New York.
What instruments are in King Porter Stomp?
The legendary Luther Henderson created this brass quintet transcription of Jelly Roll Morton’s King Porter Stomp. The arrangement is written for 2 Bb trumpets (1 of them piccolo if possible), horn, trombone and tuba and includes a score. This arrangement is recorded on the Canadian Brass recording; Red Hot Jazz.
What does stomp mean in music?
The definition of a stomp is a beat-driven jazz dance or song.
What is a stomp in jazz music?
A jazz tune with a lively rhythm and a strong beat. The definition of a stomp is a beat-driven jazz dance or song.
What style is Blue Lou?
Jazz
Blue Lou (album)
Blue Lou | |
---|---|
Released | 1993 |
Recorded | April 1993 |
Studio | SteepleChase Digital Studio |
Genre | Jazz |
What type of music is Stomp?
Dance/Electronic
Stomp/Genres
What did Count Basie do?
A pianist, Count Basie played vaudeville before eventually forming his own big band and helping to define the era of swing with hits like “One O’Clock Jump” and “Blue Skies.” In 1958, Basie became the first African American male recipient of a Grammy Award.