Do cover songs have copyright?
And whether the video is a live band performance or a toddler singing from her high chair, most of those cover songs are posted without permission from the song’s copyright holder—meaning they’re infringing someone’s copyright. If the copyright owner complains, YouTube may remove your video.
Are covers of old songs copyrighted?
When someone records and releases a song, you are free to do your own cover version of that song by obtaining a mechanical or “compulsory” license. Then, every time your cover version is sold or reproduced, you (or your record label) must pay the statutory royalty fee for that song (currently 9.1¢ per copy in the US).
Who wrote the song resulta?
Jenni Rivera
Resulta – Banda/Artists
What song made Jenni Rivera famous?
While Rivera’s marriage sank, her music soared. She signed with the label Fonovisa, and this up-and-comer’s first record, “Que Me Entierren con la Banda,” was a hit. The Spanish-singing Rivera soon became known to a growing fan base as “La Diva de la Banda.”
Who is Jenni Rivera La Diva de la Banda?
“La Diva de La Banda” could’ve been the Mexican-American Oprah. Instead, she’ll just live on as an icon. Jenni’s music remains criminally underappreciated by Spanish-language music critics, let alone acknowledged by English-language writers.
What was the last album of Jenni Rivera?
2011’s Joyas Prestadas: Pop (and its banda version) was the last album Jenni ever released. It saw her try pop standards, and the best one was this Marco Antonio Solís-penned ditty originally performed by Olga Tañón.
What did Jenni Rivera do for a living?
Rivera was one of the few celebrities I ever met who kept every promise she made during interviews—she created businesses for her daughters, a non-profit, and even a television show that ABC announced just two days before her death. “La Diva de La Banda” could’ve been the Mexican-American Oprah.
Why did Jenni Rivera write Musica Maestra?
¡Música, maestra! Jenni wrote this boast about a drug dealer’s daughter in 1994 as a response to the narcocorridos recorded in that era by her father, Pedro, the man who discovered Chalino Sánchez. “Nobody thought women should sing such songs, so I figured I would write one to show that we can.”