What is a high C for a tenor?

What is a high C for a tenor?

The tenor’s vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A♭2 (two A♭s below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5).

Who is currently the best tenor?

He has also made more than 50 music videos and won 2 Emmy Awards. Undoubtedly, Plácido Domingo is one of the best and most award-winning tenors in the world.

What is the highest tenor voice called?

Tenorino
Tenor tessitura: The tessitura of the tenor voice lies above the baritone voice and below the countertenor voice. The Tenorino has the highest tessitura of all the tenor subtypes.

Is Billy Idol a baritone?

Although they are few and far between, there have been a handful of baritone popular music singers since the 1960s, as mentioned above. Eric Clapton, Iggy Pop, Billy Idol, Bob Marley, Eddie Vedder (Pearl Jam), and Kurt Cobain (Nirvana) are a few outliers.

What does tenor C stand for in music?

Tenor C is an organ builder ‘s term for small C or C3 (130.813 Hz), the note one octave below Middle C. In stoplists it usually means that a rank is not full compass, omitting the bottom octave.

Who is the most versatile tenor of all time?

Alas, his ongoing battle with his waistline did nothing to dispel the preconception that all opera singers are overweight. Plácido Domingo is the most versatile tenor, with the longest and most wide-ranging career in history.

Which is the highest C in vocal music?

In vocal music, the term High C (sometimes less ambiguously called Top C) can refer to either the soprano’s C6 (1046.502 Hz; c ′′′ in Helmholtz notation) or the tenor’s C5; both are written as the C two ledger lines above the treble clef but the tenor voice sings an octave lower. The term Low C is sometimes used in vocal music to refer

Why are tenors more popular than basses in opera?

It’s easy to see why. They’re the ones who usually get to play the agile, athletic hero while the poor old bass gets cast as the big, brooding baddy. Plus, there’s the audience-wowing vocal bravado of those high Bs and Cs while, outside the opera house, tradition has long regarded suave and silky tenors as the voices of romance.