What emotions is expressed in Gretchen am Spinnrade?
Schubert’s setting of Goethe’s poem, “Gretchen am Spinnrade,” is evocatively beautiful and menacing – an ominous feeling of overwhelming melancholy and love’s fateful delirium. The lyrics are in stanzas of four and are in strophic form.
What is the story behind Gretchen am Spinnrade?
“Gretchen am Spinnrade” (or “Gretchen at the Spinning Wheel”) is the name of a lied—a German ballad—which was composed in 1814 by Franz Schubert, based on a story in Johann Wolfgang von Goethe’s Faust. One of the things that Faust wants is Gretchen, but the romance ends in murder and infanticide.
What is the melody of the Gretchen am Spinnrade by F Schubert lied art song?
In Gretchen am Spinnrade, the melody line of the piano part emulates the spinning of the wheel, the cycle of Gretchen’s thoughts, and the intensity of her feelings. Franz Schubert composed six hundred lieder in his time.
What is the style of Gretchen am Spinnrade?
Gretchen Am Spinnrade is a modified strophic composition in a seven-part rondo form – ABACADA.
Who is the romantic composer of the Gretchen am Spinnrade?
(1) Franz Schubert composed Gretchen am Spinnrade (Gretchen at the Spinning Wheel) in 1814, when he was only seventeen years old.
What was interesting about the piano accompaniment in Gretchen at the Spinning Wheel?
Schubert wrote his first masterpiece at 17 – a setting of Goethe’s ‘Gretchen am Spinnrade’ (Gretchen at the Spinning Wheel). Already the composer was making the piano part an integral element of the song. The accompaniment mimics the revolving wheel, speeding up and slowing down in response to the text.
When did Schubert compose Gretchen am Spinnrade?
1814
Gretchen at the Spinning Wheel/Composed
On October 19, 1814, he first set to music a poem by Goethe, “Gretchen am Spinnrade” (“Gretchen at the Spinning Wheel”), from Faust; it was his 30th song and in this masterpiece he created at one stroke the German lied (art song). The following year brought the composition of more than 140 songs.
Is Gretchen am Spinnrade Soprano?
“Gretchen am Spinnrade” was composed for soprano voice but has been transposed to accommodate other voice types.
What is the tempo of Gretchen am Spinnrade by F Schubert?
Song Metrics Six Orchestrated Songs: Gretchen am Spinnrade (Gretchen at the Spinning Wheel), D. 118 is asong byFranz Schubertwith a tempo of86 BPM.It can also be used double-time at 172 BPM. The track runs4 minutes and 8 secondslong with akey and aminormode.
What is the significance of romantic music to the development of our music today?
At its core, composers of the Romantic Era saw music as a means of individual and emotional expression. Indeed, they considered music the art form most capable of expressing the full range of human emotion. As a result, romantic composers broadened the scope of emotional content.
What is tempo of Gretchen am Spinnrade?
Six Orchestrated Songs: Gretchen am Spinnrade (Gretchen at the Spinning Wheel), D. 118 is asong byFranz Schubertwith a tempo of86 BPM.It can also be used double-time at 172 BPM. The track runs4 minutes and 8 secondslong with akey and aminormode.
When did Franz Schubert write Gretchen am Spinnrade?
Gretchen Am Spinnrade Franz Schubert composed the German Lieder, Gretchen Am Spinnrade, in 1814. This composition is one of Schubert’s pinnacle compositions, which introduced the world to the idea of the Romantic Lied, veering away from the already existing Classical Lied.
How are the beats in Gretchen am Spinnrade written?
The poem is written in Knittelvers; each pair of two lines has four strong beats, with a varying number of syllables occurring before each beat, usually one, two or three. The very regular beats throughout the poem suggest the constant spinning of the wheel.
What is scene 18 of Gretchen am Spinnrade?
In Scene 18 of the first part of Goethe’s two-part drama, Gretchen narrates the story of her tragic relationship with the scholar and Doctor Faust. Und nimmermehr. Ist mir vergällt.
Who is the expert on Franz Schubert’s music?
Franz Schubert Memorial. Aaron M. Green is an expert on classical music and music history, with more than 10 years of both solo and ensemble performance experience.