Was under the bridge played on a Jaguar?
This Fender Jaguar is undeniably best known for its appearance on Under the Bridge video. John playing his Fender Jaguar at the beginning of the video for “Under the Bridge”.
What Jaguar did Kurt Cobain use?
1965 Fender Jaguar
He did, but in reaction Kurt was pushed onstage in a wheelchair by journalist Everett True, stood to address the crowd and feigned a collapse. When he returned to his feet, Cobain was handed his 1965 Fender Jaguar. Kurt’s Jag was one of the main constants of the Nevermind era.
Who played the Fender Jaguar?
In the 1990s the popularity of the Jaguar and Jazzmaster exploded after they were used by guitarists such as Scott Hill, John Squire, Kurt Cobain (for whom a signature model was introduced), Kevin Shields, Black Francis, J Mascis, Brian Molko, Rowland S.
What is the difference between a Fender Jazzmaster and Jaguar?
One very fundamental difference between Fender’s Jazzmaster and Jaguar guitars is the scale length. The Jazzmaster adheres to Fender’s standard scale of 25.5 inches. But the Jaguar is a shorter instrument, with a straight 24 inch distance between nut and bridge.
Who plays a Jazzmaster guitar?
Tom Verlane of Television, Elvis Costello, J Mascis, Kevin Shields, Lee Ranaldo, Thurston Moore, Steve Drozd, Stephen Malkmus, Thom Yorke, and Nels Cline have all used Jazzmasters throughout their careers of making some of the most influential music of the past forty years.
What kind of strat does John Frusciante use?
1962 Fender Strat
A Stratocaster is key to the Frusciante sound. Although he has a whole host of guitars in his arsenal the 1962 Fender Strat in Sunburst is his most used guitar and has appeared on most of the RHCP albums in some form or another.
Can a Jaguar sound like a Tele?
Tone Comparison – Jaguar Just like the Telecaster, Jaguars mostly come with two single-coil pickups. This setting also gives that bright and “twangy” tone that most of Fender’s guitars are famous for. However, with its additional features, you’ll be able to get some of the more “nasally” out-of-phase tones.