What are the best seats in a musical theatre?
Stalls. Stall seats are on the ground level of the theatre. These seats may be regarded as the “best seats in the house” as they offer patrons the chance to be closest to the action, especially if you are sitting in the front rows of the theatre.
Are orchestra seats Bad?
Also, side orchestra seats aren’t necessarily bad. It depends on how far to the side you are, as well as how close to the stage. The closer you are to the stage, the more you want to be over to the center to avoid obstructed view situations. But don’t worry if you’re in the very last seat on the side of a row.
How many people does the Kings Theatre in Brooklyn seat?
3,0002015
Kings Theatre/Capacity
Which is better front mezzanine or orchestra seats?
Front mezzanine seats are usually as good as orchestra seats, sometimes better, depending on the show. For a show with a visual sweep or intricate choreography, you might be better off in the mezzanine. Be careful of the “rear mezzanine,” though, as the term usually applies to only a few rows way, way, way in the back.
Which is better the balcony or the mezzanine?
The word “balcony” has a certain nose-bleed connotation, and ticket buyers are less spooked by the word “mezzanine.” Front mezzanine seats are usually as good as orchestra seats, sometimes better, depending on the show. For a show with a visual sweep or intricate choreography, you might be better off in the mezzanine.
Where does the word mezzanine come from in a theater?
The word ” mezzanine ” comes from the Italian word for “middle,” which should technically apply to the section between the orchestra and balcony. However, many Broadway houses have an orchestra and mezzanine but no balcony. Most of them, in fact.
Which is the best orchestra seat in a theater?
People assume that center orchestra seats are the only good ones, but it depends on how deep the orchestra is and how far back you are. Some Broadway theaters, for example, have relatively shallow orchestra sections (e.g., Walter Kerr, Lyceum), while others have significantly deeper orchestra sections ( Richard Rodgers, Lunt-Fontanne, Broadway).