What was Léonin famous for?
Leonin, sometimes referred to as ‘Leoninus,’ is thought to have lived from 1150-1201. He is known for being the first composer of polyphonic music that we can identify by name. Leonin’s music was generally in two vocal parts.
What is Notre Dame polyphony?
The Notre-Dame school or the Notre-Dame school of polyphony refers to the group of composers working at or near the Notre-Dame Cathedral in Paris from about 1160 to 1250, along with the music they produced. The only composers whose names have come down to us from this time are Léonin and Pérotin.
What was the role of the Cathedral of Notre Dame in developing polyphonic music?
The Notre Dame school, a group of composers working in and around the Cathedral between 1160 and 1250, pushed sacred music beyond the single line of Gregorian chant into polyphony— multiple musical voices occurring simultaneously.
When did Perotinus live?
1160 – 1230
Pérotin/Years of Living
Did leonin compose organa?
Léonin evidently composed his organa for the Cathedral of Notre Dame, whose present magnificent stone structure rose in the main between 1163 and 1208. It has been suggested that he was a choirboy first and later became the master of the choirboys.
What did leonin play?
Léonin, Latin Leoninus, (flourished 12th century), leading liturgical composer of his generation, associated with the Notre Dame, or Parisian, school of composition.
What made the tritone possible?
If a diatonic scale is used, with its 7 notes it is possible to form only one sequence of three adjacent whole tones (T+T+T). It is a tritone because F–G, G–A, and A–B are three adjacent whole tones. It is a fourth because the notes from F to B are four (F, G, A, B).
What was the Notre Dame school and why was it so important to the development of European music?
The Notre-Dame school is important to the history of music because it produced the earliest repertory of polyphonic (multipart) music to gain international prestige and circulation.
What musical era is Pérotin from?
Pérotin ( fl. c. 1200) was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor, Léonin, with the introduction of three and four-part harmonies.