What rapper was the biggest gangster?
11 Great Gangsta’ Rap Songs
| Artist | Song |
|---|---|
| 1. Notorious B.I.G | “Juicy” |
| 2. Dr. Dre | “Nuthin’ but a G Thang” |
| 3. Tupac Shakur | “Hit ‘Em Up” |
| 4. Snoop Dogg | “Gin and Juice” |
What kind of music do gangs listen to?
hip hop music
Gangsta rap or gangster rap, initially called reality rap, is a subgenre of hip hop music that emerged in the mid- to late 1980s as a distinct but highly controversial rap subgenre, whose lyrics assert the culture and values typical of American street gangs and street hustlers.
Who created gangsta rap?
Beginnings: Ice-T and Schoolly D Ice-T had been MCing since the early ’80s, but first turned to gangsta rap themes after being influenced by Philadelphia rapper Schoolly D and his 1985 album Schoolly D, often considered to be the originator of gangsta rap.
Who’s Better Jay Z or Eminem?
Jay Z is certainly a better businessman, being worth $810 million (vs. Eminem $200 million). …but when it comes rap and hip-hop, the writing, the technical ability, flow, rhyme, variety, and all the battling, beef and bravado that is central to Hip Hop, Eminem is the greatest rapper of all time.
Why do people like the music vaporwave so much?
Vaporwave, like many other aesthetics, gives you nostalgia. Even if you weren’t around from the 1980s to early 2000s, both the images and music (mostly the music) send you to an era that once was.
Where does the name vaporwave come from in music?
The name derives from ” vaporware “, a term for commercial software that is announced but never released. It builds upon the satirical tendencies of chillwave and hypnagogic pop, while also being associated with an ambiguous or ironic take on consumer capitalism and technoculture.
What kind of aesthetic does vaporwave music have?
But the unique and iconic visual aesthetic cultivated alongside it is now, debatably, more popular and recognizable than the music itself. Vaporwave, as an aesthetic and movement, has been described as a tongue-in-cheek commentary on modern consumerism and the soulless glamour of late capitalism.
What was vaporwave’s stance on life and death?
Beauchamp writes that vaporwave’s stance is more focused on loss, the notion of lassitude, and passive acquiescence, and that “vaporwave was the first musical genre to live its entire life from birth to death completely online”.