What period Armide?

What period Armide?

The work is in the form of a tragédie en musique, a genre invented by Lully and Quinault. Critics in the 18th century regarded Armide as Lully’s masterpiece….Roles.

Role Voice type Premiere cast, 15 February 1686 (Conductor: Pascal Collasse)
Allegorical Prologue
Armide, magician, niece of Hidraot soprano Marie Le Rochois

When did Lully write Armide?

Still, the public seemed enthusiastic for this dramatic tale, and in 1777 Gluck produced his own Armide without a prologue, which otherwise followed Quinault’s libretto almost exactly and went on to have as impressive a performance history in the nineteenth century as Lully’s version did in the eighteenth century.

What is the plot of Armide?

Armide’s two confidantes Phenice and Sidonie are celebrating her recent victory over the crusaders and trying to distract her from her preoccupation with the idea of defeating Renaud, the most valiant crusader of them all. The people of Damascus celebrate Armide’s victory with singing and dancing. …

What is the difference between French and Italian opera?

As I have previously mentioned, Italian opera was a model for composers throughout Europe, however France developed their own operatic style. Tragédie lyrique is usually made up of five acts (compared to the Italian’s three) and had stories of more dramatic interest. There were also elaborate ballet scenes.

How does romantic Italian opera differ from German music drama?

In contrast to Italian opera, which was generally composed for the aristocratic class, German opera was generally composed for the masses and tended to feature simple folk-like melodies, and it was not until the arrival of Mozart that German opera was able to match its Italian counterpart in musical sophistication.

Are there similarities between the Italian and German opera styles?

The Italian opera and the German opera are two different fields that both share characteristics, some of which are paralleled, and some of which contrast. Specifically, Giuseppe Verdi and Richard Wagner use motifs such as: redemption through love, patriotism, and sacrifice which run throughout both of their operas.

What makes Verdi’s music so different from Wagner’s?

Another important difference between Wagner and Verdi is based on the Nineteenth Century romantic concept of art, interpreted so opposedly by both. For Wagner, German instrumental music was most important; for Verdi, Italian vocal music reigned supreme. For Wagner, Verdi scarcely existed.

Who created opera?

Opera originated in Italy at the end of the 16th century (with Jacopo Peri’s mostly lost Dafne, produced in Florence in 1598) especially from works by Claudio Monteverdi, notably L’Orfeo, and soon spread through the rest of Europe: Heinrich Schütz in Germany, Jean-Baptiste Lully in France, and Henry Purcell in England …

What language did Richard Wagner speak?

Saxon German
Leipzig and Dresden: The Early Years Wilhelm Richard Wagner was born on 22 May 1813 in Leipzig in the family’s modest residence at 3 Brühl Street in the Jewish Quarter (although the Wagners were not Jewish). Leipzig was then in the Kingdom of Saxony, and Wagner spoke with a strong Saxon German accent all his life.

Is opera still popular?

Opera is officially dead. The chart shows that opera ceased to exist as a contemporary art form roughly around 1970. It’s from a blog post by composer and programmer Suby Raman, who scraped the Met’s public database of performances going back to the 19th century.