What was the most distinguishable feature of the Doric column?
The architrave is the horizontal beam that is directly on the capital of the column and is undecorated in the Doric Order. The second section is the frieze. This is the most distinguishing feature of the Doric entablature because Doric friezes have alternating patterns of triglyphs and metopes as decoration.
What is an example of a Doric column?
The most iconic example of Doric columns is the Parthenon, which was built in the 5th century BCE to honour the Greek goddess Athena. The Parthenon is what is known as a peripteral Doric temple in that columns are located not only in the front of the structure but along the sides as well.
What are the Doric features of the Parthenon?
The Parthenon combines elements of the Doric and Ionic orders. Basically a Doric peripteral temple, it features a continuous sculpted frieze borrowed from the Ionic order, as well as four Ionic columns supporting the roof of the opisthodomos.
How would you describe a Doric order?
The Doric order is characterized by a plain, unadorned column capital and a column that rests directly on the stylobate of the temple without a base. The Doric entablature includes a frieze composed of trigylphs—vertical plaques with three divisions—and metopes—square spaces for either painted or sculpted decoration.
What do the terms Doric Ionic and Corinthian describe?
About Transcript. The three major classical orders are Doric, Ionic, and Corinthian. The orders describe the form and decoration of Greek and later Roman columns, and continue to be widely used in architecture today.
What do Ionic columns symbolize?
The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine).
Are Doric columns straight?
The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained.