What is a typical drum overhead miking technique?
The “Recorderman” technique is a close-overhead technique that attempts to put both mics equidistant from both the snare and the kick drum. One mic stands about 32” above the snare, pointing straight down, while the other sits over the drummer’s right shoulder, pointing at the snare.
How far should overheads be from snare?
They generally are around 32”/0.8m away from the drumset so that they can capture ‘the big picture’ of the kit. For most mixing, your overheads will be the core of the drum sound.
What is a spaced pair?
The Spaced Pair (also known as A/B) technique consists of two individual microphones, typically using cardioid or omni-directional polar patterns, spaced apart to capture a wide stereo image of an instrument or ensemble.
What is Ortf mic placement?
ORTF (and NOS) In an ORTF pair, it’s the backside of the microphones that are near touching, rather than the front-side. The capsules are spaced about 17cm, or just over 6.5 inches, apart. The angle is slightly wider than that of XY, at 110 degrees.
How far apart are spaced pairs?
The spaced pair technique is when two microphones are positioned with at least 16 inches of space between each other and are pointing an equal distance towards the same source.
How far apart should overheads be?
To even the arrival times you can place the two overhead mics at two different heights, as few as 2–3 inches or up to 8–10 inches if necessary. This will solidify the center image that is so important to your drum sound.
How high should overheads be?
How far should overhead mics be from cymbals?
The overhead technique is typically based around two mic’s placed a few feet above the cymbals. Some engineers will use two mic’s on two stands at roughly the 1/3 and 2/3 points across the drum kit from the front, and centered from the side. Another option is use two mic’s in the center in an X-Y pattern.
What is spaced pair miking?
Spaced-pair stereo miking involves placing two microphones at a distance in front of the instrument(s) that you want to record and at a distance from one another. This approach can work well if you record an ensemble that takes up a lot of room.
What is accent miking?
Spot/Accent miking is the act of close-miking certain sources in dense acoustic environments such as orchestras. Spot miking, when done effectively, will concentrate on a single sound source (i.e., a solo instrument in the orchestra) and allow for greater flexibility and clarity in the audio mix.
Which is wider, ORTF or XY, MS or Recorderman?
The ORTF stereo image is wider than XY, MS, or Recorderman, but not unbelievably so. Perhaps because the microphone position simulates human ear position, the resulting stereo field seems very natural and realistic, and generally collapses to mono without significant problems.
Can You stereo Mik cymbals on a Recorderman?
Extreme panning of Recorderman overhead tracks can leave a hole in the middle of the stereo field. Mono compatibility is not guaranteed, except for the kick and snare. Because the microphones are relatively low, they will hear primarily the drums themselves. Cymbals will be understated, as will the sound of the room.
When do you use a spaced pair technique?
Spaced Pair (or A/B) Technique The spaced pair technique is when two microphones are positioned with at least 16 inches of space between each other and are pointing an equal distance towards the same source. Spaced pair offers dual perspectives of the sound source and relies heavily on what is called the phantom center.
When do you use a spaced pair of speakers?
Spaced pair offers dual perspectives of the sound source and relies heavily on what is called the phantom center. This is when the same sound is heard equally in each ear.