What is soundscape composition?
Soundscape composition is a form of electroacoustic music characterized by the presence of recognizable environmental sounds and contexts. Its purpose is to invoke the listener’s associations, memories, and imagination related to the soundscape. The idea of the sound object relates to this notion.
Why is soundscape considered music?
The concept of soundscape was introduced by Canadian composer and ecology scientist Raymond Schafer in the 1960s. Its definition incorporates three main factors: audience, environment and the sound event with the features of keynote, signal and soundmark.
What are the elements of a soundscape?
The three basic elements of soundscape studies have been defined as sound, environment and human (Qin Youguo, 2005). By study one or two elements, the traditional subjects are formed as: landscape, physiological, psychological acoustics and environmental acoustics.
Who invented soundscape?
Raymond Murray Schafer
Research on the subject of the landscape reminds us that it does not just engage us visually, but that all our senses are involved. In particular, Élise Geisler here revisits the concept of the “soundscape”, based on the work of Raymond Murray Schafer, who invented the term in the 1970s.
Who Popularised the term soundscape?
Pauline Oliveros
Pauline Oliveros, composer of post-World War II electronic art music, defined the term “soundscape” as “All of the waveforms faithfully transmitted to our audio cortex by the ear and its mechanisms”.
How would you describe soundscape?
A soundscape is a sound or combination of sounds that forms or arises from an immersive environment. Crucially, the term soundscape also includes the listener’s perception of sounds heard as an environment: “how that environment is understood by those living within it” and therefore mediates their relations.
What is a Soundmark?
DEFINITIONS: Sound mark – where representing a melody that is graphically presented by notes. Three-dimensional mark – where consisting of the shape or of the packaging of the goods. In case of a three-dimensional mark, the representation must display its three-dimensional character.
Which factors influence the content of a soundscape?
The definition of soundscape includes three main factors: audience, environment and the sound event comprising the features of ‘keynote’, ‘sound signal’ and ‘soundmark’ (Schafer, 1993).
Can jingles be trademarked?
How to File Trademark Applications to Protect Jingles, Branded Sounds and Music. One final point worth noting is that trademark applicants wishing to protect jingles, branded sounds and music must provide a sufficiently detailed, written description of their trademark which clearly explains the sound(s) in question.
Can a smell mark be trademarked?
To obtain registration of a smell mark applicants must be able to visually represent the product’s scent and must show it is distinctive from the product itself. A bottled sample of the smell for example would decay over time and could therefore not be kept on a trademark register.