What style of music comes out of Muscle Shoals?
Muscle Shoals and FAME became synonymous with the sounds of Southern soul and R&B. Throughout the ’60s, Aretha Franklin, Clarence Carter, Wilson Pickett, Candi Staton, Etta James, The Staple Singers and others recorded there.
Which guitar player who recorded at Muscle Shoals Sound Studio injured his arm falling off a horse?
| Duane Allman | |
|---|---|
| Genres | Blues rock jazz jam soul southern rock |
| Occupation(s) | Musician |
| Instruments | Guitar slide guitar dobro vocals |
| Years active | 1961–1971 |
Why do they call it Muscle Shoals?
This theory states: “Muscle Shoals, the Niagara of the South, derives its name from the Indians, who, attempting to navigate upstream, found the task almost impossible because of the strong current.” Thus came the word muscle, symbolic of the strength required to “paddle a canoe up the rapids.” The Shoals area.
When did the Muscle Shoals rhythm section leave?
After leaving FAME in the spring of 1969, the quartet established itself as the Muscle Shoals (Sound) Rhythm Section and cultivated its definitive country-soul-tinged “Muscle Shoals” sound. The MSRS became a dominant presence on the American music scene for more than 25 years and continues to inspire international interest in American soul music.
Who are the members of Muscle Shoals house band?
The Muscle Shoals Rhythm Section (Roger Hawkins, Jimmy Johnson, Barry Beckett, and David Hood, often affectionately called “the Swampers”) is widely regarded as one of the most important American recording studio “house bands” emerging in the golden age of rock and soul.
Who are the artists that recorded at Muscle Shoals?
Among the more recent artists to record in Muscle Shoals are Drive-By Truckers, Band Of Horses, Bettye LaVette, Phish, Greg Allman, and Cyril Neville. Though the split between Hall and the Muscle Shoals Rhythm Section angered Hall like nothing else in his life, through the passing of time, they became close again.
Who was Arthur Alexander in Muscle Shoals rhythm section?
One of Hall’s first protégés was an African American bellhop at the Sheffield Hotel named Arthur Alexander, who had written some songs. Hall was a demanding taskmaster, and his recording session required 30 or 40 takes to get the rhythm tracks he wanted.